Nina Supersonic
“Leeds vs. Lisbon” – Optimus Alive, 8th-10th July 2010, Lisbon, Portugal

So it transpires that football isn’t the only thing that the Portuguese are superior at. Music festivals can also be added to the (somewhat extensive) list.

   Optimus Alive festival is a three-day heavy rock affair in Alges, up-town Lisbon. The line-up was a failsafe combination of Florence & The Machine, Kasabian, Manic Street Preachers, Pearl Jam, Deftones, Faith No More, Jet and LCD Soundsystem. The temperature wasn’t predicted to drop below thirty degrees. There was going to be free Iced Tea. I was sold.

   So frequently in the UK festivals are much more enjoyable in advance than in the grim mud-soaked, piss-stained, beer-saturated reality. Festivals such as Glastonbury and T in the Park, costing around £200 per ticket, have gone from being lairy gatherings of over-excited music lovers to magnets for every wannabe indie kid and irritant poser under the age of 20. Those who would be content with taking amphetamines with WKD in a field for five days without seeing a single band are in the vast majority. No matter how good the line-up, I find it hard to concentrate on the immense experience of the music past the near-uncontrollable urge to line the rest of the crowd up against a wall and shoot them with air guns.

   Enter the foreign festival. Enter Optimus Alive.

   Firstly, it’s unbelievably clean. Even on the third day, pre-Pearl Jam, on a Saturday, when the queues for the portaloos (which were really more like clever portable communal bathrooms) demanded a fifteen-minute wait, they were nothing less than spotless and full of clean toilet paper. Seeing Pearl Jam without having to attempt the notorious “hover” manoeuvre to avoid syphilis, was mind-blowing.

   Secondly, the people were awesome. I mean genuinely awesome. The people who you would seek out at parties. That no one was visibly paralytic and/or throwing glasses of their own urine over parts of the crowd was instantly a step up from previous British experiences. But everyone I met while there had brilliant stories of musical escapades to tell; Madrid to see Bon Jovi, Rome to see U2, a row of Deftones fans racing Manics fans to the main stage barrier. Great scenes.

   The atmosphere is electric but never tips over into aggressiveness. Seeing siblings looking after their eleven-year-old brother near the back of the main stage whilst sipping pints of beer during Pearl Jam was particularly touching. At the front it was lairy but self-contained; even the mosh-pits were exhilarating rather than a desperate struggle to keep your femurs intact.

   It’s romantic, maybe naïve, to want British festivals to retain this sense of fun, this sense of wonder, without the cheap posturing and exhibitionism. But at least there’s always the chance to go overseas, which, when the combined cost of both the flight and weekend ticket comes to less than a Glastonbury or Reading/Leeds ticket alone, is a lot more affordable than you’d think.

   Lisbon, Germany, Spain, even Belgium. They all beat the British festivals in this Champions League.